https://piclondon.org pic.london Thu, 26 Sep 2019 11:10:28 +0000 https://piclondon.org en http://piclondon.org/after-school-group-exhibition Thu, 26 Sep 2019 11:10:28 +0000 pic.london 338821 After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp; &nbsp; &nbsp; &nbsp; Group Exhibition Group Exhibition Why do it together when you can do it alone? 10th - 19th October, 2019 Lewisham Arthouse, 140 Lewisham Way, SE14 6PD (download the exhibition info pack here) <img width="1012" height="1012" width_o="1012" height_o="1012" src_o="https://cortex.persona.co/t/original/i/01d7939a222f2162ac14251e2e7b979123fc69c6526a8cd4258d789519be1a9a/HAL-Stickgame1.jpg" data-mid="785299" border="0" data-scale="60"/>Artists from the programme playing the stick game, photo by Sarah-Jane Field Exhibition Hours: Thursday 10th - Saturday 19th, 12:00 - 18:00 daily Closed on Monday 14th and Tuesday 15th Opening Night: Thursday 10th 18:00 - 21:00 Open Discussion: Getting there: the Highs and Lows of the Journey Friday 18th 17:00 - 19:00 followed by drinks until 20:30 (Free but space limited. Booking essential via here) An exhibition that showcases the work of 18 artists and photographers who have been exploring collective ways of working in relation to their own practice. It borrows its title from a talk given by David Morris (editor of Afterall) and Grace Samboh (Indonesia-based curator) during the spring 2019 After School programme. The exhibition can be perceived as the organic output of all participating artists, workshop leaders and organisers, having gone through a process of collectivity, and asks how the process has influenced their work and how they work. Stepping in and out of photography, installation, sculpture, text and video, the works in the exhibition also engage with a wide range of personal and collective interests, from questions of romance, ageing and desire, to collective assembling and storytelling and the relationship between the body and the image.Getting there: the Highs and Lows of the Journey A discussion focussing on the process of self-initiating and organising, especially in the first few years after graduating. We ask how such endeavours can bring one's practice further. But also what are the struggles and challenges that are often encountered and how have people been managing them? In the spirit of being open about the lows as well as the highs, the discussion will welcome input from everyone in the room, to exchange tactics, share wisdoms and combat the often felt feeling of isolation when we embark on the creative journey. Contributors include Effie Paleologou (artist and educator), Sunil Shah (artist, curator and writer), and Jack Lewdjaw &amp; Karanjit Panesar (artists, co-directors of east bristol contemporary). Exhibiting Artists: Bayryam Bayryamali, Laura Blight, Jacqueline Ennis Cole, Sarah-Jane Field, Lucas Gabellini-Fava, Rachel Glass, Pamela Gomez, Eva Louisa Jonas, Dawoon Kim, Michaela Lahat, Rowan Lear, Debbie Naylor, Joshua Phillips, Loreal Prystaj, Marie Smith, Marie Sutter, Christel Pilkaer Thomsen, Joanna Wierzbicka. Workshop Leaders: Alejandra Carles-Tolrá, Hal Silver (Josh Bilton, Una Hamilton Helle) and Hemera Collective (Fangfei Chen, Jaime Davis, Kay Watson) Programme Organisers: Yuxin Jiang (co-founder, pic.london) Rakesh Mohindra (co-founder, pic.london) Beverley Carruthers (course director of BA Photography, London College of Communication) After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp;... http://piclondon.org/after-school-talks Sat, 09 Mar 2019 21:40:28 +0000 pic.london 315054 After School – Collective Strategies Overview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp; &nbsp; &nbsp; &nbsp; Group Exhibition Talks (book here)Saturday 18 May 2019 10:45 Registration 11:00 – 12:00 Fields of CollectivityAnthony Luvera The practice of photography is built on many different kinds of contribution, co-production, and collaboration. From the employment of technicians and skilled assistants; the development of ideas and sharing knowledge with colleagues, peers, teachers and mentors; through to employing strategies designed to enable participation and co-creation by subject/participants, these various forms of labour and contribution converge in the realisation of the photographer's 'unique vision'. In considering these different fields of collectivity underpinning a practice, Anthony Luvera probes some of the practical, theoretical and ethical issues that can arise when working together. 12:00 – 13:00The Group and The IndividualAlejandra Carles-Tolra Over the years, Carles-Tolra has been spending time with a variety of communities hoping to understand what defines them and the role they play in the lives of the individuals who are part of them. Her approach has evolved from an observational/documentary approach to a more collaborative one - involving performance and fiction. In this talk, Alejandra will reflect on the different ways a more collaborative approach is overall changing her work and her relationship with her sitters. She’ll also comment on how her practice as a participatory photography facilitator is having an influence in her process. Saturday 8 June 2019 10:45 Registration 11:00 – 12:00A history of creative collaboration and a consideration of its wider social significanceEllen Mara De Wachter The talk traces the history of collaboration through the 20th century up to the present day, considering a series of geopolitical and interpersonal questions, and leading into an exploration of some of the wider economic, political and social questions raised by widespread collaboration - for example through the communications internet and the internet of things. 12:00 – 13:00 Resolution is not the point. Hemera Collective Hemera Collective is an evolving curatorial group formed by singular interests and experiences. A discussion of inspirations and approaches with a focus on how exhibition spaces can become a common ground based on trust, as well as a negotiated space for multiple, shifting perspectives and socio-economic debates. Specifically, the talk will highlight how we approach working together to curate exhibitions and pursue long term interests. Saturday 15 June 2019 10:45 Registration 11:00 – 12:00 Why do it together when you can do it alone?David Morris and Grace Samboh 'The way our society works does not leave us space nor time to move alone. (This might need a longer conversation.) So, most likely things are done together. Some people call it DIWO. But, these terms... Unlike Coca-Cola which is definitely an imported culture, the fact that we always rely on each other and do things together have been in our culture since forever, maybe even before that.' This presentation will discuss collective initiatives in Yogyakarta, Indonesia and elsewhere in Southeast Asia since the 1990s. 12:00 – 13:00 Looking for Hal. Hal Silver Hal Silver will open up the Hal archive - a series of research projects, role-play, games and mythology as strategies for collaboration. Hal will look at the relationship of the individual to the group and attempt to answer the question who/where/what is Hal. After School – Collective Strategies Overview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp;... http://piclondon.org/after-school-open-call Tue, 05 Mar 2019 15:49:55 +0000 pic.london 314395 After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp; &nbsp; &nbsp; &nbsp; Group Exhibition Open CallThe workshops as part of After School – Collective Strategies are designed for early stage practitioners to get together under a supportive network and explore collective ways of working. The three workshops are led by and for a wide range of practitioners, from photographers, artists who work in between photography and other media, to curators, researchers and writers who are interested in photography and its expanded forms. 18 selected participants will work with the same group of peers and the workshop leader over three sessions between May and June, reconvene in September for a curating session, and have a public group presentation together in September/October in London. Eligibility We accept applications from individuals – undergraduate students in their final year, postgraduate students, and those who have graduated. Ideally your practice should be relevant to photography, moving image or other forms of image making, and you are able to commit to participating in the full programme. We welcome applications from any educational background and discipline.Costs There is a submission fee of £8 for the open call to cover running costs. All talks and workshops are free for the selected participants. The programme will also cover the organisational cost of the public group presentation. The participants are responsible for the cost associated with the production the work. There are a number of free places available for people who might be unable to pay the submission fee. Please contact hello@piclondon.org for more details. How to Apply We are asking applicants to present up to two projects (completed or work in progress). The projects can be carried out in a variety of forms, e.g. photographic work, community projects, collective experiment, writing pieces, curating, broadcasting, and so on, as long as they demonstrate your interests and capabilities in your practice.&nbsp; Please describe your projects on the application form and send the completed form with up to 10 supporting images to hello@piclondon.org via WeTransfer. The total size of the images files should be no more than 10MB. For further application guidelines see the application form. Please note applications that are not written or sent as requested will not be considered. Application deadline is April 23rd. Selected applicants will be notified by email by April 30th. Please contact hello@piclondon.org if you have any questions regarding the programme and the open call.&nbsp; Workshops SynopsesSubmission fee payment linkApplication form download After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp;... http://piclondon.org/after-school-workshops Thu, 28 Feb 2019 12:52:57 +0000 pic.london 313630 After School – Collective Strategies Overview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp; &nbsp; &nbsp; &nbsp; Group Exhibition Workshops 18 people will be selected through an open call to participate in the workshops and be part of the public group presentation in London this autumn. In three groups of six, they will be working with&nbsp;one of Alejandra Carles-Tolra, Hal Silver and Hemera Collective over three sessions. These three workshop groups will run in parallel to develop their output over the afternoons of 18 May, 8 June and 15 June 2019, with the talks being on the mornings of the same days. Synopses of the workshop groups are below.&nbsp;Click here to apply to the open call. 1. Alejandra Carles-Tolra – An Uncertain Present What are the identities that define our communities and our cities? Are these losing or gaining strength at a time of change? In this era of uncertainty and tension, our identities and sense of belonging might be at risk of dissolving and becoming part of a past that once defined us and the cities we lived in. This workshop will reflect on what it means to belong in today’s society and how identities are shaped and defined by our surroundings. Participants who are interested in exploring these themes through a collaborative approach are invited to apply. In this hands-on workshop participants will be expected to collaborate and experiment, do research and create new work. Together, we will look at different examples of artists reflecting on these themes of identity and representation, engage in collaborative exercises, discuss the power dynamics between photographer and sitter, and develop skills to navigate long-term projects. Along with the photographic material produced during the program, participants are encouraged to experiment with other mediums too (i.e. sound, installation, text, video, etc.). The work produced during the program will be presented as part of a final exhibition in the Fall. Participants are expected to make collaborative work during and after the workshop sessions. More specific instructions will follow once participants have been selected. <img width="819" height="1024" width_o="819" height_o="1024" src_o="https://cortex.persona.co/t/original/i/b2ca8effd267281598fc16a38ef77640c660ee09cc7b60c1035488c7476b010c/Fall-In-Series_Thomas-In-The-Woods.jpg" data-mid="659215" border="0" data-scale="80"/>Thomas In The Woods, from Fall In series, Alejandra Carles-Tolra <img width="1650" height="1100" width_o="1650" height_o="1100" src_o="https://cortex.persona.co/t/original/i/ae4be3bb176814411f975c05b21ac207658fe51378882d41133d4274b4167455/Untitled_Where-We-Belong-3.jpg" data-mid="659216" border="0" /><img width="2000" height="1335" width_o="2000" height_o="1335" src_o="https://cortex.persona.co/t/original/i/ffbc4aa5bb60513fde37a1a67c635273e6386679282d3bf99db643e1e96543f9/Untitled_Where-We-Belong-2.jpg" data-mid="659213" border="0" />Above two from Where We Belong series, Alejandra Carles-Tolra 2. Hal Silver – Calling on the Dead Hal Silver invites participants to three workshop sessions exploring various strategies for developing a collaborative practice. Hal Silver is interested in how collaborative process can breakdown the habits of the individual practice and open up a freedom to experiment. Drawing heavily on LARP (live action role play) and the act of mythologising, workshops will create experiential events exploring group cohesion, collective identity, and the role of the individual to the group in a playful environment. In the first session we will seek contact with the practices, ideas and ghosts of dead artists through improvisation and creative storytelling, drawing meaning from a fictionalised past into a contested present in an on-going attempt to answer our defining question: who/where/what is Hal? The workshops will be experimental in nature and the focus of each session will be on collective forms of making, improvisation and group dynamics. This could take the form of games, role-play, unskilled mask and costume making, photography, video and sound recording. These process-led activities can be gathered into a final exhibition display, the form of which will be established throughout the workshop sessions. <img width="747" height="534" width_o="747" height_o="534" src_o="https://cortex.persona.co/t/original/i/c1139de223472cf7b5da5940d4a4d13dcef0309c3204db8f7df73d5783aec89e/1_HalSilverSpeaks.jpg" data-mid="659228" border="0" />Hal Silver Speaks, Live performance at Aid &amp; Abet, Cambridge <img width="1388" height="926" width_o="1388" height_o="926" src_o="https://cortex.persona.co/t/original/i/dcccde1dddf010b34e34a75bdd891df659d2533c498d5dd95b90550f6f8ea840/3Night-Day_c.jpg" data-mid="659238" border="0" /><img width="1344" height="896" width_o="1344" height_o="896" src_o="https://cortex.persona.co/t/original/i/f73152ec974ca947bc004e8a61a58568a1e8ac57f210811d148fc40eb7427a10/1Night-Day2_c.jpg" data-mid="659239" border="0" />Night &amp; Day, The Photographers Gallery, London 3. Hemera Collective – Nascent States &nbsp; The workshops will offer a series of set ups to explore collective relationships, or nascent states, where the group may correspond with the work they are making, or discuss the ethos of working together. Activities range in generative modes, for example, on considering the politics of listening as a foundation to open up spaces for understanding, or recognising ingrained patterns of production in order to reimagine them. The workshops offer an ecology of curatorial methodologies and practical tools for actively working together to produce new projects – and equally, propose potential ways to dismantle them. <img width="900" height="442" width_o="900" height_o="442" src_o="https://cortex.persona.co/t/original/i/d7e60b4bfc0b979806271cd18fe18bb88c6ffca593695634c579cf51dcb6bf9a/Pio-Abad--Resolution-is-not-the-point.--Photo_-London-Art-Fair.jpg" data-mid="659222" border="0" />Pio Abad, Resolution is not the point., Photo 50 at London Art Fair, 2018 <img width="5660" height="3774" width_o="5660" height_o="3774" src_o="https://cortex.persona.co/t/original/i/3595e7868f14e5aa8e23bbf39694f744e7c70c33e43375cad2b39949193a9f3d/Secret-Agent--Guest-Projects--2016-Photo_-Ben-Westoby.jpg" data-mid="659224" border="0" />Secret Agent, Guest Projects, 2016 <img width="1600" height="1600" width_o="1600" height_o="1600" src_o="https://cortex.persona.co/t/original/i/03060db47915deccc40efdaae81b10165a0467c7d46ad182ac2f3f85c8779970/Secret-Agent--Finnish-Museum-of-Photography.jpg" data-mid="659223" border="0" />Secret Agent, Finnish Museum of Photography, 2015 After School – Collective Strategies Overview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open... http://piclondon.org/after-school-overview Mon, 18 Feb 2019 15:17:45 +0000 pic.london 312210  After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp; &nbsp; &nbsp; &nbsp; Group Exhibition After School – Collective Strategies is a public programme consisting of a series of talks and workshops, running from May to June 2019, and culminating in a group presentation in the autumn. A collaborative effort between pic.london and London College of Communication (University of the Arts London), the programme explores collective ways of working both conceptually and in action, and considers them as strategies that can be helpful, especially for early stage artists who often struggle in the extremely challenging period after graduating. <img width="680" height="565" width_o="680" height_o="565" src_o="https://cortex.persona.co/t/original/i/cca6d60f5946c9104ea7f8499d9f265c7491606f5e9d784fa0407bd7774b95b0/Dome_1949_K._Snelson_photo.jpg" data-mid="656870" border="0" data-scale="60"/>Buckminster Fuller’s geodesic dome at Black Mountain College, 1949. The programme, held over three Saturdays, invites you to think and act to unleash the transformative energy of collective ways of working, in order to open up the possibilities of making changes that are otherwise unimaginable. The talks are open to all (book here). For the workshops a group of 18 participants will be selected through an open call, with the results of the workshops being shown in the public group presentation. All talks and workshops take place at the London College of Communication building at Elephant &amp; Castle, London.&nbsp; <img width="700" height="900" width_o="700" height_o="900" src_o="https://cortex.persona.co/t/original/i/0dd362096cbc35d0cfdb3aece8dcce40dd13559ed4a09441088d97636a56e34a/after-school-overview_v15.jpg" data-mid="663066" border="0" data-scale="50"/>Contributors Anthony Luvera is a socially engaged artist, writer and educator who has collaborated with people who have experienced homelessness in cities and towns across the United Kingdom for over fifteen years. The long-term collaborative projects he creates with homeless people and other community groups have been exhibited widely in galleries, museums and public spaces, including Tate Liverpool, London Underground’s Art on the Underground, British Museum, National Portrait Gallery, Belfast Exposed Photography, Australian Centre for Photography, PhotoIreland, Malmö Fotobiennal, Goa International Photography Festival, and Les Recontres D’Arles Photographie. Anthony is an Associate Professor and Course Director of MA Photography and Collaboration at Coventry University. He contributes to the public education programmes for the National Portrait Gallery, Tate Britain, Royal Academy of Arts, The Photographers’ Gallery, Barbican Art Gallery, Magnum, and community photography projects across the UK. Ellen Mara De Wachter is a writer and curator based in London. She is a frequent contributor to Frieze magazine, and her writing has featured in exhibition catalogues and publications such as The White Review, Art Monthly, Art Quarterly, World of Interiors, Mousse, Garage, Elephant, The Quietus, Art Review, Flash Art International and on BBC Radio 4. Her book ‘Co-Art: Artists on Creative Collaboration’, published by Phaidon, explores the phenomenon of collaboration in the visual arts and its potential in society at large. David Morris is based in London. He is a research fellow and editor at Afterall, and teaches at University of the Arts London. His work explores different approaches to artistic research, education and exhibitions, with a particular focus on experimental, collective and interdisciplinary practices. He is co-editor, with Sylvère Lotringer, of Schizo-Culture: The Event, The Book (Semiotext(e)/The MIT Press, 2014) and co-editor, with David Teh, of Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992–98, among other publications. Through exhibitions, workshops and broadcasts Hal Silver explored how collective thought is formed and the relationship of the individual to the group. Hal Silver first stopped working together in 2013 and experienced a period of inactivity. Following a resurgence throughout 2014 brought about by invitation and opportunity Hal Silver once again stopped working together in Sweden, Denmark, France and the UK. Following a number of years during which no direct signals from Hal were detected, a familiar communication channel appeared to open in early 2019. Hal Silver is yet to be confirmed. Alejandra Carles-Tolra is a Spanish photographer and facilitator based in London. Her work examines the relationship between individual and group identity, and how the latter shapes the former. Her work has been published and exhibited internationally, including The Guardian, CNN, Vice, Huffington Post, NYTimes’ T Magazine, Circulation(s) in Paris, Unseen Amsterdam, PHotoEspaña and the Wuhan Art Museum in China. In 2017 she was awarded the Jerwood Photoworks Award and was a finalist at the 2018 Taylor Wessing Photographic Portrait Prize at the National Portrait Gallery in London. She has worked with a variety of universities, art institutions and charities delivering photography courses and participatory workshops. Hemera Collective is a curatorial group focusing on the expanded field of photography and lens-based media. Working with artists as well as archives, Hemera curates exhibitions, organises public programmes, produces commissioned works, and offers collection advisory. Our philosophy is to be open to collaboration through a range of specialisms, and that exchanging knowledge and ideas brings forward the most engaging projects. Hemera is part of the Board of Trustees for Brighton Photo Fringe where we contribute to the future of this vital festival. Grace Samboh is a curator based in Yogyakarta and Medan, Indonesia. She questions (a little bit) too many things all at the same time and believes that every person needs at least three copies of themselves. Her recent curatorial projects are: A travelling museum that restarted a conversation on our recent democracy “The Unsung Museum” (2016-2018); A multiple way of exchange(s) ‘Banyak-banyak’ (‘Many-many’) within a platform of Gertrude Contemporary Art Space (Melbourne, 2014-2015) called The Independence Project; A year of artistic research ‘Tahun Tanah 2015’ (The Earth Year) with Jatiwangi art Factory (Majalengka, West Java). With Hyphen, her partners in curiosity, she is unraveling datas, facts and stories about Gerakan Seni Rupa Baru Indonesia (Indonesia New Art Movement, 1975-1989). With Yogyakarta Biennale Foundation, she is taking care of Equator Symposium’s programming (2012-2022).  After School – Collective StrategiesOverview&nbsp; &nbsp; &nbsp; &nbsp; Talks&nbsp; &nbsp; &nbsp; &nbsp; Workshops&nbsp; &nbsp; &nbsp; &nbsp; Open Call&nbsp;... http://piclondon.org/pic-up-prints-open-call-faqs Tue, 14 Aug 2018 11:23:01 +0000 pic.london 283932  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show and sell their works in person to a large and diverse audience, and also to share experiences and make friends within a like-minded community. pic.up prints will take place on 26th - 27th October 2018, at the Tea Building in Shoreditch, East London. We are accepting applications from emerging artists to take part. The deadline for submissions has been extended to the end of 12th September 2018.Download the application form herePay the submission fee hereMore details on the event here Who can take part? What can you sell? Selection ProcessLet’s talk about money Application Process FAQsDo the prints need to be framed for the market?A: Prints are not required to be framed, however, it’s ok if they are. If not you should have them in protective sleeves as the care of your prints are your own responsibility. How do people pay me in the market?A: They can pay with cash, card, paypal or any other method you are able to accept. We might be able to supply portable credit card machines; this can be discussed with the final selected artists. Are you taking any commission? A: No, you keep what you get for every item you sell. However, we do require you to kindly donate a print to the pic.up prints raffle. How will the donated print be selected?A: If you are shortlisted you will need to send your prints for review. If you are selected to be in the market we will choose one of those prints for the raffle. Why do I have to send the physical prints for review since you’ve already seen the images in digital form?A: The physical form, touch and finish of your prints is as important as the image itself and it is one of the key factors that determines whether a piece will sell. We like to make sure participating artists will be bringing physical prints of a high quality. I am not sure about editioning and/or pricing my work. What do I do?A: You should enter tentative values on the application form. We are happy to discuss this and provide advice if you are selected for the market. There is no limit on the number of editions for each image. If some of my prints are more expensive than £250 or cheaper than £50, is that ok?A: It is ok to bring works that are outside this range, as long as it doesn’t exceed a third of your items. I’m not based in London. Can I apply? A: Of course, we welcome applications from anywhere. Although please note we are unable to cover travel costs for participators. I never went to art school. Can I apply?A: Of course, we welcome artists from any background. Can I drop off my prints in person?A: Unfortunately, we are unable to receive prints in person. Expand all information  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show... http://piclondon.org/pic-up-prints-open-call-application-process Tue, 14 Aug 2018 11:18:40 +0000 pic.london 283931 pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show and sell their works in person to a large and diverse audience, and also to share experiences and make friends within a like-minded community. pic.up prints will take place on 26th - 27th October 2018, at the Tea Building in Shoreditch, East London. We are accepting applications from emerging artists to take part. The deadline for submissions has been extended to the end of 12th September 2018.Download the application form herePay the submission fee hereMore details on the event here Who can take part? What can you sell? Selection ProcessLet’s talk about money Application ProcessWhat to submit: Artists are asked to submit 3 - 10 images in total from up to two different projects together with a completed application form, which you can find here. Please rename the form file to your name after saving as a pdf. The images should be in jpeg format, 2000px on the longer side and at 72 dpi. The name of the images should be: &lt;your name&gt;_ &lt;image number from the application form&gt;. All the files would need to be sent via www.WeTransfer.com to the following email address: market@piclondon.org. We accept only one transfer per person. Timeline: DATES 2018&nbsp; &nbsp; MILESTONE12 SEPTEMBER&nbsp; &nbsp; OPEN CALL CLOSES17 SEPTEMBER&nbsp; &nbsp; SHORTLISTED ARTISTS CONTACTED01 OCTOBER&nbsp; &nbsp; CUT OFF DATE TO RECEIVE PRINTS FOR REVIEW08 OCTOBER&nbsp; &nbsp; SELECTED ARTISTS CONFIRMED&nbsp; &nbsp; 25 OCTOBER&nbsp; &nbsp; MARKET SET UP26-27 OCTOBER&nbsp; &nbsp; pic.up prints FAQsExpand all information pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show... http://piclondon.org/pic-up-prints-open-call-money Tue, 14 Aug 2018 11:16:51 +0000 pic.london 283930  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show and sell their works in person to a large and diverse audience, and also to share experiences and make friends within a like-minded community. pic.up prints will take place on 26th - 27th October 2018, at the Tea Building in Shoreditch, East London.We are accepting applications from emerging artists to take part. The deadline for submissions has been extended to the end of 12th September 2018.Download the application form herePay the submission fee hereMore details on the event here Who can take part? What can you sell? Selection ProcessLet’s talk about moneyGuidance for pricing prints: We would like to create a platform for the wider public to buy art. In order to be in line with this ethos, please make sure the majority (at least two-thirds) of your works are priced within the range £50 - £250. One print donation to pic.london: We are not going to charge the artists any commission - you take all you sell. In addition we are not charging a fee to have a stall. However, pic.london needs to be sustainable in order to continue supporting emerging artists. Instead of charging commission, we are asking selected artists to donate a print to us for a raffle, as an alternative way of fundraising. The raffle will also include works from established artists who are donating works as well. Each ticket is guaranteed to win a prize. All the money raised will go towards putting on the next edition of the festival. £6 open call submission fee only: There is nominal fee of £6 to help cover the cost of running the event (payable via Eventbrite here). Application Process FAQsExpand all information  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show... http://piclondon.org/pic-up-prints-open-call-selection-process Tue, 14 Aug 2018 11:16:32 +0000 pic.london 283929  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show and sell their works in person to a large and diverse audience, and also to share experiences and make friends within a like-minded community. pic.up prints will take place on 26th - 27th October 2018, at the Tea Building in Shoreditch, East London.We are accepting applications from emerging artists to take part. The deadline for submissions has been extended to the end of 12th September 2018.Download the application form herePay the submission fee hereMore details on the event here Who can take part? What can you sell? Selection ProcessSelection criteria: In line with the pic.london ethos, we are looking for work that is strong both aesthetically and conceptually, and that challenges the qualities of the photographic medium in some way. Shortlisting: The work will be ‘peer reviewed’ by the pic.london team. If shortlisted you will be asked to post us an example print of each image you have entered. Let’s talk about money Application Process FAQsExpand all information  pic.up prints open call pic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show... http://piclondon.org/pic-up-prints-open-call-what Tue, 14 Aug 2018 11:14:05 +0000 pic.london 283928  pic.up prints open callpic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show and sell their works in person to a large and diverse audience, and also to share experiences and make friends within a like-minded community. pic.up prints will take place on 26th - 27th October 2018, at the Tea Building in Shoreditch, East London. We are accepting applications from emerging artists to take part. The deadline for submissions has been extended to the end of 12th September 2018.Download the application form herePay the submission fee hereMore details on the event here Who can take part? What can you sell? We welcome photographic prints made using any method. If selected, you are welcome to bring self-published artist/photo books and other work in any form as long as it’s concerned with the photographic (in addition to your prints). Selection Process Let’s talk about money Application Process FAQsExpand all information  pic.up prints open callpic.up prints is one of the pop-up events run by pic.london. It is a rare opportunity for emerging artists from any background to show...